Saturday, January 7, 2012

Honorable Mentions for Top Albums of 2011


Honorable Mentions for my Top Album List of 2011

This list of five albums are those that were just about to make the list but for some reason or other didn't make it to my Top 25 of 2011.  These are pretty good albums themselves, they just lacked something I was looking for in them.  Check them out.  I'm sure you won't really be disappointed.



Forevermore 
by Whitesnake

Oh, Whitesnake.  Talk about guilty pleasures.  I've never been a huge fan of 80s Hair Metal.  I don't hate them all, but I am not a huge fan of bands like Poison and Warrant.  David Coverdale is another thing entirely.  It's surprising that at 60 years old, he still sounds so powerful.  Before I got into Whitesnake, I was a fan of Coverdale in Deep Purple, so it was pretty easy to get into their music.  This album comes three years after their comeback album (Good to be Bad).  The musicians here are all experienced people who have played in fantastic projects.  The aforementioned Coverdale, Doug Aldritch (Dio) on the guitar and also Brian Tichy (Derek Sherinian, Gilby Clarke, Pride & Glory) on the drums do a fantastic job not only paying tribute to the history of the band but also giving it a more modern feel.  Sure, songs like "Easier Said Than Done" are pretty ballad-y in that way I kinda dislike, but it comes with the territory.  This album won't win many awards, but it will keep Whitesnake fans happy.




A Dramatic Turn of Events
by Dream Theater

The year 2010 was a tough one for Dream Theater.  Longtime member Mike Portnoy decided to leave the band for some reason or another that doesn't really matter here.  This did mean that they had to work extra hard in order to make 2011 the year of the DT.  Having replaced the iconic Portnoy with drummer Mike Mangini, they were ready to let the world know that they were still Dream Theater post-Portnoy.  Which is probably the same thing that is wrong (if you will) with the album.  After all that happened and the name of the album, I expected something to refresh the Dream Theater sound.  Too bad this is not the album to do that.  DT has seemed stale these past few years and I hoped that a new drummer would change all that.  Mangini does a good job in terms of hanging with the virtuosity of the rest of the band, but he doesn't have anything new to offer, yet.  This album has top notch musicianship, cheesy lyrics, overindulgent music, like everything that DT is and has been for most of its history.  But there is something about listening to the music that makes me forget all those things (like a good fan of anything prog should).




Unto The Locust
by Machine Head

Machine Head are one of those metal bands that seems to be overlooked by almost every metalhead out there.  Sure, they have had their up and downs in terms of the quality of their music (The Burning Red comes to mind as a huge down), but from their earlier albums and now the newest couple, their metal credentials are firmly in check.  Rob Flynn is an interesting vocalist.  His melodic voice sounds fantastic in this album ("Darkness Within" and the acoustic version on the Collector's Edition) and his growls seem to have renewed passion and anytime he is not rapping (really terrible), he seems to be doing the right things.  This new album is different from the older material in that they seem to have switched from the shorter song structures made for MTV and VH1 and switched them with more complex song structures which makes their songs quite interesting.  Sure, the lyrics are still pretty cheesy, but the guys seem to be trying to show that they are music fans and a lot of things influence them.  Forgive their past transgressions with the nu-metal camp and give them a shot.  If you can, check out their covers of "The Sentinel" by Judas Priest and "Witch Hunt" by Rush that appear on the Collector's Edition of the album.




Wasting Light
by Foo Fighters

Modern music seems to be generally lacking those kind of people that you just knew were pure musicians.  Guys that could take whatever project they decide to work with and make it work by the sheer force of their abilities to make catchy music.  It's hard not to consider Dave Grohl one of those people.  It's obvious that this guy bleeds music.  One of the things I enjoy most about Grohl's vocals is the passion he imbues the songs with.  I really like a couple of the songs in this album.  "These Days" is probably my favorite right now.  I like how he gives you the melodic and slow and then explodes but doesn't go to far.  "Rope" is also a song that has grown on me.  The one track that I just couldn't stand was "White Limo".  It just doesn't feel like it fits in with the rest of the tracks.  There are a couple of forgettable tracks, but its a consistently good album.  Problem is that I didn't feel it was great.

 


Thank You, Happy Birthday
by Cage the Elephant

I really like Cage the Elephant's debut album.  I thought it was funky, it was interesting and it was incredibly catchy.  I'll gladly admit that the first time I heard the song "Ain't No Rest for the Wicked" was through the game Borderlands (which is also an incredibly fun game).  Truth is, I loved that one song but it took me a while to get into the whole first album.  Once I got it, I was just hooked.  This second album was just as difficult to get into, if not more.  You have to understand going in that this is pretty far from what I usually listen to.  Even after saying that, this album has some really great songs.  "Shake Me Down" and "Aberdeen" immediately come to mind.  Something that can be taken from this album is that its angsty.  Probably more so that the self titled debut.  While that first one seemed more playful, this one is harsher.  The intro to the song "2024" is a testament to that angstier side.  Sure, it might seem like I'm trashing the album, but I'm not.  I like it.  Just not enough to be in my 'Best Of' list.


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